lately, painting has been hit or miss. i seemed to have lost track, somewhere along the way, of what was important. bouncing around between illustration and painting can be tricky. illustration often calls for accuracy in drawing and painting. in my personal work i don't want my shapes to be accurate; i want them to be interesting, awkward, clumsy even. it's hard to put aside what i know about drawing to get at a shape with more character and charm. i spent this past week in a workshop with christopher schink here in seattle. he's a great teacher (and painter) and the workshop was just what i needed. thanks, toph.